Sixpence None the Richer Teatro Bom Jesus – Curitiba, Brazil
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Sixpence None the Richer is an American alternative rock and pop band formed in the early 1990s in New Braunfels, Texas. The band became widely known for its melodic and soft sound, blending elements of alternative rock with influences from pop, folk, and Christian music. It is often associated with the Christian pop movement that gained prominence in the 1990s. Despite the band undergoing several transformations over the years, it stands out for its accessible sound, which earned it a fan base both in mainstream rock and Christian music communities.
The band's original lineup consisted of lead vocalist Leigh Nash, guitarist Matt Slocum, drummer Justin Cary, and bassist T.J. Behling. From the beginning, Nash and Slocum were the core figures in the group, responsible for most of the compositions and the band's musical direction. The band's name, "Sixpence None the Richer," is a reference to a line in William Shakespeare's The Merchant of Venice, where the character Gratiano says, "I would not change this good deed for the wealth of all the world." The name was chosen to reflect the idea that happiness does not necessarily depend on material wealth.
The band's first album, The Fatherless and the Widow, was released in 1994, but it was with their second album, Sixpence None the Richer (1997), that the group achieved mainstream recognition. This album was a milestone in their career, featuring songs that became huge hits, such as "Kiss Me" and "There She Goes," both released as singles. "Kiss Me" in particular became a global hit, reaching the top spots on various international charts and solidifying the band’s place in the global music scene. The song is characterized by its sweet melody, Nash's ethereal and soft voice, and a clean, accessible production that became a hallmark of the band's style.
The success of Sixpence None the Richer also helped the band establish itself as a leading voice in the pop and alternative rock scene of the time, though with a strong influence from Christianity, without being explicitly a religious band. This is reflected in the lyrics of some of their songs, which touch on themes of faith, love, doubt, and redemption, with an introspective and poetic tone. However, the band also steered away from complete identification with the Christian genre, maintaining a more universal approach to its lyrics, which allowed them to reach a wider audience.
After the massive success of their second album, the band went through some lineup changes and faced internal challenges. Justin Cary left the band during their 1998 tour and was replaced by Chris Donahue. Despite this, the group continued to produce music and tour. In 2001, they released the album Divine Discontent, which maintained the same smooth, melodic style as their previous works, but with a somewhat more alternative rock direction. Tracks like "Don't Dream It's Over" (a cover of the famous song by Crowded House) and "RDKJ" showed a more mature sound, but the album did not achieve the same commercial success as its predecessor.
The period following 2001 was marked by a hiatus, with the band facing long-term challenges, including the end of their touring and what appeared to be a split, with the members pursuing individual projects. During this time, Leigh Nash embarked on a solo career, releasing albums that further explored her soft voice and intimate approach to music. Matt Slocum also worked on side projects, but the band never completely left their musical roots behind.
In 2008, Sixpence None the Richer returned to the music scene with an album called Lost in Transition, which also received critical praise, but once again, it did not achieve the same level of commercial success as their earlier albums. The sound continued to be light and melodic, but with a more modern approach that reflected the musical environment of its time.
Despite a career marked by ups and downs, Sixpence None the Richer had a significant impact on the music of the 1990s and 2000s. The band is often remembered as one of the pioneers of the alternative and pop sound of the era, frequently associated with the Christian alternative rock scene, but without being fully confined to that genre. Their songs were and still are appreciated for their sincerity and emotional clarity, and Leigh Nash's presence, with her ethereal and distinctive voice, remains one of the band's biggest attractions.
Over the course of their career, the band also built a solid fan base, which continued to support them during both their periods of pause and return. The band's legacy is full of memories from a specific musical era, marked by songs that captivated both young and adult audiences. Tracks like "Kiss Me" and "There She Goes," in particular, continue to be popular on the radio and in various media productions, such as films and TV shows, keeping their cultural relevance alive.
Beyond the music, the band also had an impact on pop culture, especially in the late 1990s, as they were included in the soundtracks of popular films and TV shows of the time, such as She’s All That and Charmed. Sixpence None the Richer's songs, largely due to their sweet and nostalgic tone, are still evoked by those who lived through the band's heyday, often remembered as classics of the late '90s and early 2000s.
In terms of musical style, the band stood out for its use of melodic, soft arrangements, influences from alternative pop and folk, and its ability to blend introspective lyrics with an engaging, accessible sound. Throughout their career, the band struck a balance between their messages of faith and spirituality and their pop and alternative appeal, creating a sound that resonated with a diverse audience.
Despite the challenges and changes over the years, Sixpence None the Richer remains an important band in the history of alternative rock and pop from the 1990s. They continue to be fondly remembered by many fans around the world. Their music, filled with simplicity and beauty, remains alive, not only as a memory of that era but also as a relevant part of contemporary music that is still being rediscovered by new generations.
Event Name: Sixpence None the Richer
When does it happens?: 13/06/2025
Where does it take place?: Teatro Bom Jesus – Curitiba, Brazil
Venue
Notes
Sixpence None the Richer is an American alternative rock and pop band formed in the early 1990s in New Braunfels, Texas. The band became widely known for its melodic and soft sound, blending elements of alternative rock with influences from pop, folk, and Christian music. It is often associated with the Christian pop movement that gained prominence in the 1990s. Despite the band undergoing several transformations over the years, it stands out for its accessible sound, which earned it a fan base both in mainstream rock and Christian music communities.
The band's original lineup consisted of lead vocalist Leigh Nash, guitarist Matt Slocum, drummer Justin Cary, and bassist T.J. Behling. From the beginning, Nash and Slocum were the core figures in the group, responsible for most of the compositions and the band's musical direction. The band's name, "Sixpence None the Richer," is a reference to a line in William Shakespeare's The Merchant of Venice, where the character Gratiano says, "I would not change this good deed for the wealth of all the world." The name was chosen to reflect the idea that happiness does not necessarily depend on material wealth.
The band's first album, The Fatherless and the Widow, was released in 1994, but it was with their second album, Sixpence None the Richer (1997), that the group achieved mainstream recognition. This album was a milestone in their career, featuring songs that became huge hits, such as "Kiss Me" and "There She Goes," both released as singles. "Kiss Me" in particular became a global hit, reaching the top spots on various international charts and solidifying the band’s place in the global music scene. The song is characterized by its sweet melody, Nash's ethereal and soft voice, and a clean, accessible production that became a hallmark of the band's style.
The success of Sixpence None the Richer also helped the band establish itself as a leading voice in the pop and alternative rock scene of the time, though with a strong influence from Christianity, without being explicitly a religious band. This is reflected in the lyrics of some of their songs, which touch on themes of faith, love, doubt, and redemption, with an introspective and poetic tone. However, the band also steered away from complete identification with the Christian genre, maintaining a more universal approach to its lyrics, which allowed them to reach a wider audience.
After the massive success of their second album, the band went through some lineup changes and faced internal challenges. Justin Cary left the band during their 1998 tour and was replaced by Chris Donahue. Despite this, the group continued to produce music and tour. In 2001, they released the album Divine Discontent, which maintained the same smooth, melodic style as their previous works, but with a somewhat more alternative rock direction. Tracks like "Don't Dream It's Over" (a cover of the famous song by Crowded House) and "RDKJ" showed a more mature sound, but the album did not achieve the same commercial success as its predecessor.
The period following 2001 was marked by a hiatus, with the band facing long-term challenges, including the end of their touring and what appeared to be a split, with the members pursuing individual projects. During this time, Leigh Nash embarked on a solo career, releasing albums that further explored her soft voice and intimate approach to music. Matt Slocum also worked on side projects, but the band never completely left their musical roots behind.
In 2008, Sixpence None the Richer returned to the music scene with an album called Lost in Transition, which also received critical praise, but once again, it did not achieve the same level of commercial success as their earlier albums. The sound continued to be light and melodic, but with a more modern approach that reflected the musical environment of its time.
Despite a career marked by ups and downs, Sixpence None the Richer had a significant impact on the music of the 1990s and 2000s. The band is often remembered as one of the pioneers of the alternative and pop sound of the era, frequently associated with the Christian alternative rock scene, but without being fully confined to that genre. Their songs were and still are appreciated for their sincerity and emotional clarity, and Leigh Nash's presence, with her ethereal and distinctive voice, remains one of the band's biggest attractions.
Over the course of their career, the band also built a solid fan base, which continued to support them during both their periods of pause and return. The band's legacy is full of memories from a specific musical era, marked by songs that captivated both young and adult audiences. Tracks like "Kiss Me" and "There She Goes," in particular, continue to be popular on the radio and in various media productions, such as films and TV shows, keeping their cultural relevance alive.
Beyond the music, the band also had an impact on pop culture, especially in the late 1990s, as they were included in the soundtracks of popular films and TV shows of the time, such as She’s All That and Charmed. Sixpence None the Richer's songs, largely due to their sweet and nostalgic tone, are still evoked by those who lived through the band's heyday, often remembered as classics of the late '90s and early 2000s.
In terms of musical style, the band stood out for its use of melodic, soft arrangements, influences from alternative pop and folk, and its ability to blend introspective lyrics with an engaging, accessible sound. Throughout their career, the band struck a balance between their messages of faith and spirituality and their pop and alternative appeal, creating a sound that resonated with a diverse audience.
Despite the challenges and changes over the years, Sixpence None the Richer remains an important band in the history of alternative rock and pop from the 1990s. They continue to be fondly remembered by many fans around the world. Their music, filled with simplicity and beauty, remains alive, not only as a memory of that era but also as a relevant part of contemporary music that is still being rediscovered by new generations.
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